%PDF-1.7 1 0 obj << /Type /Catalog /Outlines 2 0 R /Pages 3 0 R >> endobj 2 0 obj << /Type /Outlines /Count 0 >> endobj 3 0 obj << /Type /Pages /Kids [6 0 R 81 0 R 165 0 R 243 0 R 245 0 R 247 0 R 251 0 R 253 0 R 255 0 R 257 0 R 261 0 R 263 0 R 265 0 R 267 0 R 269 0 R 271 0 R 273 0 R 275 0 R 279 0 R ] /Count 19 /Resources << /ProcSet 4 0 R /Font << /F1 8 0 R /F2 9 0 R /F3 10 0 R /F4 11 0 R >> /ExtGState << /GS1 76 0 R /GS2 77 0 R /GS3 78 0 R /GS4 79 0 R >> >> /MediaBox [0.000 0.000 595.280 841.890] >> endobj 4 0 obj [/PDF /Text ] endobj 5 0 obj << /Producer (dompdf 3.1.0 + CPDF) /CreationDate (D:20260223113748+00'00') /ModDate (D:20260223113748+00'00') >> endobj 6 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Annots [ 12 0 R 14 0 R 16 0 R 18 0 R 20 0 R 22 0 R 24 0 R 26 0 R 28 0 R 30 0 R 32 0 R 34 0 R 36 0 R 38 0 R 40 0 R 42 0 R 44 0 R 46 0 R 48 0 R 50 0 R 52 0 R 54 0 R 56 0 R 58 0 R 60 0 R 62 0 R 64 0 R 66 0 R 68 0 R 70 0 R 72 0 R 74 0 R ] /Contents 7 0 R >> endobj 7 0 obj << /Filter /FlateDecode /Length 1309 >> stream xWn6+*p&8'$mQ fJ"Ķ2ܠ@_CƢ䄶n,s:b1F :JP!%@!_<-uL&7}&DɸXM)e(ݗ"dt[rzUNYUͺ^C[N"eld,CQ=W y&|&_ /Ւ,7Jk"2' TZ?уBP8T[HKmR-vS|. K<\D"?b6?Gh&ͬWMDbh3|[yۓ]k2NUD"; AS>L&ϊY[$U o#Mj%TC]=<,"4C"=疚LDu>A{;Bҷ5 vjSCaI3)|tR)<țF"8bZuvvipVPeQR8y(␳-A *:"!Yá,Ƹ^/?>ZljzvHn:$jG)14YȞ1Wԉ=#4^-..dr0B/!1rP>VI͕b.4%WP7lPpfz4-"'CL ?B&SLŴںiUXp>pBEdLBcS r}@[BHژ (P+"Aa0.$V]z N2xe-A]Wv3Ηu ʄ0[$֌p@ٔ'3>:?* ',S0CLì!vH%Vv g BZdϰbE0I) q=be1@qZ=n1L>_zUU Gb:ZSoKb{n9NSlIA$Ҵdtj&H8J3/GO9_]/'i-qLu!bX7:/.G٤~гs+Ku +7|_#E^vS<ʐw"ްqmc 1Fs2]͔."* n^\Թ2+!yS PG+x-ã[@|.{IG5RcfVv1; Wl@㮋p͈PH*slc7 aK endstream endobj 8 0 obj << /Type /Font /Subtype /Type1 /Name /F1 /BaseFont /Times-Roman /Encoding /WinAnsiEncoding >> endobj 9 0 obj << /Type /Font /Subtype /Type1 /Name /F2 /BaseFont /Times-Bold /Encoding /WinAnsiEncoding >> endobj 10 0 obj << /Type /Font /Subtype /Type1 /Name /F3 /BaseFont /Helvetica /Encoding /WinAnsiEncoding >> endobj 11 0 obj << /Type /Font /Subtype /Type1 /Name /F4 /BaseFont /Helvetica-Bold /Encoding /WinAnsiEncoding >> endobj 12 0 obj << /Type /Annot /Subtype /Link /F 28 /A 13 0 R /Border [0 0 0] /H /I /Rect [ 0.0000 841.8900 0.0000 841.8900 ] >> endobj 13 0 obj << /Type /Action >> endobj 14 0 obj << /Type /Annot /Subtype /Link /F 28 /A 15 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 569.0316 160.3760 581.2416 ] >> endobj 15 0 obj << /Type /Action >> endobj 16 0 obj << /Type /Annot /Subtype /Link /F 28 /A 17 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 555.0012 35.0000 567.2112 ] >> endobj 17 0 obj << /Type /Action >> endobj 18 0 obj << /Type /Annot /Subtype /Link /F 28 /A 19 0 R /Border [0 0 0] /H /I /Rect [ 286.1400 542.3796 334.1400 554.5896 ] >> endobj 19 0 obj << /Type /Action >> endobj 20 0 obj << /Type /Annot /Subtype /Link /F 28 /A 21 0 R /Border [0 0 0] /H /I /Rect [ 270.1320 527.7276 350.1480 539.9376 ] >> endobj 21 0 obj << /Type /Action >> endobj 22 0 obj << /Type /Annot /Subtype /Link /F 28 /A 23 0 R /Border [0 0 0] /H /I /Rect [ 271.1340 513.0756 349.1460 525.2856 ] >> endobj 23 0 obj << /Type /Action >> endobj 24 0 obj << /Type /Annot /Subtype /Link /F 28 /A 25 0 R /Border [0 0 0] /H /I /Rect [ 281.1360 498.4236 339.1440 510.6336 ] >> endobj 25 0 obj << /Type /Action >> endobj 26 0 obj << /Type /Annot /Subtype /Link /F 28 /A 27 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 484.3932 95.0000 496.6032 ] >> endobj 27 0 obj << /Type /Action >> endobj 28 0 obj << /Type /Annot /Subtype /Link /F 28 /A 29 0 R /Border [0 0 0] /H /I /Rect [ 0.0000 841.8900 0.0000 841.8900 ] >> endobj 29 0 obj << /Type /Action >> endobj 30 0 obj << /Type /Annot /Subtype /Link /F 28 /A 31 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 442.4676 117.6920 454.6776 ] >> endobj 31 0 obj << /Type /Action >> endobj 32 0 obj << /Type /Annot /Subtype /Link /F 28 /A 33 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 428.4372 35.0000 440.6472 ] >> endobj 33 0 obj << /Type /Action >> endobj 34 0 obj << /Type /Annot /Subtype /Link /F 28 /A 35 0 R /Border [0 0 0] /H /I /Rect [ 295.8000 415.8156 324.4800 428.0256 ] >> endobj 35 0 obj << /Type /Action >> endobj 36 0 obj << /Type /Annot /Subtype /Link /F 28 /A 37 0 R /Border [0 0 0] /H /I /Rect [ 281.1300 401.1636 339.1500 413.3736 ] >> endobj 37 0 obj << /Type /Action >> endobj 38 0 obj << /Type /Annot /Subtype /Link /F 28 /A 39 0 R /Border [0 0 0] /H /I /Rect [ 282.4620 386.5116 337.8180 398.7216 ] >> endobj 39 0 obj << /Type /Action >> endobj 40 0 obj << /Type /Annot /Subtype /Link /F 28 /A 41 0 R /Border [0 0 0] /H /I /Rect [ 261.7980 371.8596 358.4820 384.0696 ] >> endobj 41 0 obj << /Type /Action >> endobj 42 0 obj << /Type /Annot /Subtype /Link /F 28 /A 43 0 R /Border [0 0 0] /H /I /Rect [ 286.1400 357.2076 334.1400 369.4176 ] >> endobj 43 0 obj << /Type /Action >> endobj 44 0 obj << /Type /Annot /Subtype /Link /F 28 /A 45 0 R /Border [0 0 0] /H /I /Rect [ 0.0000 841.8900 0.0000 841.8900 ] >> endobj 45 0 obj << /Type /Action >> endobj 46 0 obj << /Type /Annot /Subtype /Link /F 28 /A 47 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 315.9036 163.7000 328.1136 ] >> endobj 47 0 obj << /Type /Action >> endobj 48 0 obj << /Type /Annot /Subtype /Link /F 28 /A 49 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 301.8732 35.0000 314.0832 ] >> endobj 49 0 obj << /Type /Action >> endobj 50 0 obj << /Type /Annot /Subtype /Link /F 28 /A 51 0 R /Border [0 0 0] /H /I /Rect [ 265.1280 289.2516 355.1520 301.4616 ] >> endobj 51 0 obj << /Type /Action >> endobj 52 0 obj << /Type /Annot /Subtype /Link /F 28 /A 53 0 R /Border [0 0 0] /H /I /Rect [ 243.4560 274.5996 376.8240 286.8096 ] >> endobj 53 0 obj << /Type /Action >> endobj 54 0 obj << /Type /Annot /Subtype /Link /F 28 /A 55 0 R /Border [0 0 0] /H /I /Rect [ 257.7960 259.9476 362.4840 272.1576 ] >> endobj 55 0 obj << /Type /Action >> endobj 56 0 obj << /Type /Annot /Subtype /Link /F 28 /A 57 0 R /Border [0 0 0] /H /I /Rect [ 277.1340 245.2956 343.1460 257.5056 ] >> endobj 57 0 obj << /Type /Action >> endobj 58 0 obj << /Type /Annot /Subtype /Link /F 28 /A 59 0 R /Border [0 0 0] /H /I /Rect [ 0.0000 841.8900 0.0000 841.8900 ] >> endobj 59 0 obj << /Type /Action >> endobj 60 0 obj << /Type /Annot /Subtype /Link /F 28 /A 61 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 203.9916 137.0360 216.2016 ] >> endobj 61 0 obj << /Type /Action >> endobj 62 0 obj << /Type /Annot /Subtype /Link /F 28 /A 63 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 189.9612 35.0000 202.1712 ] >> endobj 63 0 obj << /Type /Action >> endobj 64 0 obj << /Type /Annot /Subtype /Link /F 28 /A 65 0 R /Border [0 0 0] /H /I /Rect [ 267.8100 177.3396 352.4700 189.5496 ] >> endobj 65 0 obj << /Type /Action >> endobj 66 0 obj << /Type /Annot /Subtype /Link /F 28 /A 67 0 R /Border [0 0 0] /H /I /Rect [ 292.1340 162.6876 328.1460 174.8976 ] >> endobj 67 0 obj << /Type /Action >> endobj 68 0 obj << /Type /Annot /Subtype /Link /F 28 /A 69 0 R /Border [0 0 0] /H /I /Rect [ 296.8080 148.0356 323.4720 160.2456 ] >> endobj 69 0 obj << /Type /Action >> endobj 70 0 obj << /Type /Annot /Subtype /Link /F 28 /A 71 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 134.0052 132.3680 146.2152 ] >> endobj 71 0 obj << /Type /Action >> endobj 72 0 obj << /Type /Annot /Subtype /Link /F 28 /A 73 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 107.3532 171.6920 119.5632 ] >> endobj 73 0 obj << /Type /Action >> endobj 74 0 obj << /Type /Annot /Subtype /Link /F 28 /A 75 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 92.7012 104.3480 104.9112 ] >> endobj 75 0 obj << /Type /Action >> endobj 76 0 obj << /Type /ExtGState /BM /Normal /CA 1 >> endobj 77 0 obj << /Type /ExtGState /BM /Normal /ca 1 >> endobj 78 0 obj << /Type /ExtGState /BM /Normal /CA 0.3 >> endobj 79 0 obj << /Type /ExtGState /BM /Normal /ca 0.3 >> endobj 80 0 obj [6 0 R /Fit] endobj 81 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Annots [ 83 0 R 85 0 R 87 0 R 89 0 R 91 0 R 93 0 R 95 0 R 97 0 R 99 0 R 101 0 R 103 0 R 105 0 R 107 0 R 109 0 R 111 0 R 113 0 R 115 0 R 117 0 R 119 0 R 121 0 R 123 0 R 125 0 R 127 0 R 129 0 R 131 0 R 133 0 R 135 0 R 137 0 R 139 0 R 141 0 R 143 0 R 145 0 R 147 0 R 149 0 R 151 0 R 153 0 R 155 0 R 157 0 R 159 0 R 161 0 R 163 0 R ] /Contents 82 0 R >> endobj 82 0 obj << /Filter /FlateDecode /Length 1572 >> stream xXMo8Wh巤c6$-ěXm$B9t GJԘ{1p8qf#Fc~qHb&%ys-!^2{G&]?g AyG>,_PS@HJL@5MRJSM$i|*ȯtfM*S$r)H"QMfwoVֻR4 ޻'LONfWSÄ#KH3mUc,zչfY8J;$0 EAL l#p$ u0P1-UccWr'!x҂/JEٽ><7oO:,sj˸ !o0O(u^{ JX CX.JFrM@Nlb|մe?SL:qXH#h8nSވQ6LPL-@q2m;]DXyq|(H`(kzf HS7'&cv 2"֬w˲.Nꑵ endstream endobj 83 0 obj << /Type /Annot /Subtype /Link /F 28 /A 84 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 758.4590 71.6720 770.6690 ] >> endobj 84 0 obj << /Type /Action >> endobj 85 0 obj << /Type /Annot /Subtype /Link /F 28 /A 86 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 743.8070 143.7080 756.0170 ] >> endobj 86 0 obj << /Type /Action >> endobj 87 0 obj << /Type /Annot /Subtype /Link /F 28 /A 88 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 729.1550 103.0160 741.3650 ] >> endobj 88 0 obj << /Type /Action >> endobj 89 0 obj << /Type /Annot /Subtype /Link /F 28 /A 90 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 702.5030 158.3360 714.7130 ] >> endobj 90 0 obj << /Type /Action >> endobj 91 0 obj << /Type /Annot /Subtype /Link /F 28 /A 92 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 687.8510 75.6800 700.0610 ] >> endobj 92 0 obj << /Type /Action >> endobj 93 0 obj << /Type /Annot /Subtype /Link /F 28 /A 94 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 673.1990 147.7160 685.4090 ] >> endobj 94 0 obj << /Type /Action >> endobj 95 0 obj << /Type /Annot /Subtype /Link /F 28 /A 96 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 658.5470 77.6720 670.7570 ] >> endobj 96 0 obj << /Type /Action >> endobj 97 0 obj << /Type /Annot /Subtype /Link /F 28 /A 98 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 631.8950 126.9920 644.1050 ] >> endobj 98 0 obj << /Type /Action >> endobj 99 0 obj << /Type /Annot /Subtype /Link /F 28 /A 100 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 617.2430 74.3480 629.4530 ] >> endobj 100 0 obj << /Type /Action >> endobj 101 0 obj << /Type /Annot /Subtype /Link /F 28 /A 102 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 602.5910 146.3840 614.8010 ] >> endobj 102 0 obj << /Type /Action >> endobj 103 0 obj << /Type /Annot /Subtype /Link /F 28 /A 104 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 575.9390 197.6840 588.1490 ] >> endobj 104 0 obj << /Type /Action >> endobj 105 0 obj << /Type /Annot /Subtype /Link /F 28 /A 106 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 561.2870 93.0200 573.4970 ] >> endobj 106 0 obj << /Type /Action >> endobj 107 0 obj << /Type /Annot /Subtype /Link /F 28 /A 108 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 546.6350 94.3400 558.8450 ] >> endobj 108 0 obj << /Type /Action >> endobj 109 0 obj << /Type /Annot /Subtype /Link /F 28 /A 110 0 R /Border [0 0 0] /H /I /Rect [ 0.0000 841.8900 0.0000 841.8900 ] >> endobj 110 0 obj << /Type /Action >> endobj 111 0 obj << /Type /Annot /Subtype /Link /F 28 /A 112 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 504.7094 187.7240 516.9194 ] >> endobj 112 0 obj << /Type /Action >> endobj 113 0 obj << /Type /Annot /Subtype /Link /F 28 /A 114 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 490.6790 35.0000 502.8890 ] >> endobj 114 0 obj << /Type /Action >> endobj 115 0 obj << /Type /Annot /Subtype /Link /F 28 /A 116 0 R /Border [0 0 0] /H /I /Rect [ 237.4500 478.0574 382.8300 490.2674 ] >> endobj 116 0 obj << /Type /Action >> endobj 117 0 obj << /Type /Annot /Subtype /Link /F 28 /A 118 0 R /Border [0 0 0] /H /I /Rect [ 244.1400 463.4054 376.1400 475.6154 ] >> endobj 118 0 obj << /Type /Action >> endobj 119 0 obj << /Type /Annot /Subtype /Link /F 28 /A 120 0 R /Border [0 0 0] /H /I /Rect [ 259.1220 448.7534 361.1580 460.9634 ] >> endobj 120 0 obj << /Type /Action >> endobj 121 0 obj << /Type /Annot /Subtype /Link /F 28 /A 122 0 R /Border [0 0 0] /H /I /Rect [ 283.1340 434.1014 337.1460 446.3114 ] >> endobj 122 0 obj << /Type /Action >> endobj 123 0 obj << /Type /Annot /Subtype /Link /F 28 /A 124 0 R /Border [0 0 0] /H /I /Rect [ 287.8020 419.4494 332.4780 431.6594 ] >> endobj 124 0 obj << /Type /Action >> endobj 125 0 obj << /Type /Annot /Subtype /Link /F 28 /A 126 0 R /Border [0 0 0] /H /I /Rect [ 289.8000 404.7974 330.4800 417.0074 ] >> endobj 126 0 obj << /Type /Action >> endobj 127 0 obj << /Type /Annot /Subtype /Link /F 28 /A 128 0 R /Border [0 0 0] /H /I /Rect [ 0.0000 841.8900 0.0000 841.8900 ] >> endobj 128 0 obj << /Type /Action >> endobj 129 0 obj << /Type /Annot /Subtype /Link /F 28 /A 130 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 363.4934 169.7120 375.7034 ] >> endobj 130 0 obj << /Type /Action >> endobj 131 0 obj << /Type /Annot /Subtype /Link /F 28 /A 132 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 349.4630 35.0000 361.6730 ] >> endobj 132 0 obj << /Type /Action >> endobj 133 0 obj << /Type /Annot /Subtype /Link /F 28 /A 134 0 R /Border [0 0 0] /H /I /Rect [ 284.8020 336.8414 335.4780 349.0514 ] >> endobj 134 0 obj << /Type /Action >> endobj 135 0 obj << /Type /Annot /Subtype /Link /F 28 /A 136 0 R /Border [0 0 0] /H /I /Rect [ 287.1420 322.1894 333.1380 334.3994 ] >> endobj 136 0 obj << /Type /Action >> endobj 137 0 obj << /Type /Annot /Subtype /Link /F 28 /A 138 0 R /Border [0 0 0] /H /I /Rect [ 297.8040 307.5374 322.4760 319.7474 ] >> endobj 138 0 obj << /Type /Action >> endobj 139 0 obj << /Type /Annot /Subtype /Link /F 28 /A 140 0 R /Border [0 0 0] /H /I /Rect [ 281.4660 292.8854 338.8140 305.0954 ] >> endobj 140 0 obj << /Type /Action >> endobj 141 0 obj << /Type /Annot /Subtype /Link /F 28 /A 142 0 R /Border [0 0 0] /H /I /Rect [ 277.4700 278.2334 342.8100 290.4434 ] >> endobj 142 0 obj << /Type /Action >> endobj 143 0 obj << /Type /Annot /Subtype /Link /F 28 /A 144 0 R /Border [0 0 0] /H /I /Rect [ 0.0000 841.8900 0.0000 841.8900 ] >> endobj 144 0 obj << /Type /Action >> endobj 145 0 obj << /Type /Annot /Subtype /Link /F 28 /A 146 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 236.9294 126.3560 249.1394 ] >> endobj 146 0 obj << /Type /Action >> endobj 147 0 obj << /Type /Annot /Subtype /Link /F 28 /A 148 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 222.8990 35.0000 235.1090 ] >> endobj 148 0 obj << /Type /Action >> endobj 149 0 obj << /Type /Annot /Subtype /Link /F 28 /A 150 0 R /Border [0 0 0] /H /I /Rect [ 282.4680 210.2774 337.8120 222.4874 ] >> endobj 150 0 obj << /Type /Action >> endobj 151 0 obj << /Type /Annot /Subtype /Link /F 28 /A 152 0 R /Border [0 0 0] /H /I /Rect [ 279.8040 195.6254 340.4760 207.8354 ] >> endobj 152 0 obj << /Type /Action >> endobj 153 0 obj << /Type /Annot /Subtype /Link /F 28 /A 154 0 R /Border [0 0 0] /H /I /Rect [ 273.8100 180.9734 346.4700 193.1834 ] >> endobj 154 0 obj << /Type /Action >> endobj 155 0 obj << /Type /Annot /Subtype /Link /F 28 /A 156 0 R /Border [0 0 0] /H /I /Rect [ 297.1380 166.3214 323.1420 178.5314 ] >> endobj 156 0 obj << /Type /Action >> endobj 157 0 obj << /Type /Annot /Subtype /Link /F 28 /A 158 0 R /Border [0 0 0] /H /I /Rect [ 285.1440 151.6694 335.1360 163.8794 ] >> endobj 158 0 obj << /Type /Action >> endobj 159 0 obj << /Type /Annot /Subtype /Link /F 28 /A 160 0 R /Border [0 0 0] /H /I /Rect [ 0.0000 841.8900 0.0000 841.8900 ] >> endobj 160 0 obj << /Type /Action >> endobj 161 0 obj << /Type /Annot /Subtype /Link /F 28 /A 162 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 110.3654 133.7000 122.5754 ] >> endobj 162 0 obj << /Type /Action >> endobj 163 0 obj << /Type /Annot /Subtype /Link /F 28 /A 164 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 96.3350 35.0000 108.5450 ] >> endobj 164 0 obj << /Type /Action >> endobj 165 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Annots [ 167 0 R 169 0 R 171 0 R 173 0 R 175 0 R 177 0 R 179 0 R 181 0 R 183 0 R 185 0 R 187 0 R 189 0 R 191 0 R 193 0 R 195 0 R 197 0 R 199 0 R 201 0 R 203 0 R 205 0 R 207 0 R 209 0 R 211 0 R 213 0 R 215 0 R 217 0 R 219 0 R 221 0 R 223 0 R 225 0 R 227 0 R 229 0 R 231 0 R 233 0 R 235 0 R 237 0 R 239 0 R 241 0 R ] /Contents 166 0 R >> endobj 166 0 obj << /Filter /FlateDecode /Length 1517 >> stream xXMo8WT@[1ɺ::V R#mRjLڽHg8yo81rB4 X2׊pA|%z]b]}/x93\W9~А5Hg|%tFdA$>)k"R۳᭟FA2&ŗl=4g/ʨlDś1I.ix/a-r8^> ?ƸDW˦_ѝryҨȑ1u![0Z;SmX"j'؝#[kD 62F5IJ=>P9g/SΩ҂GF|UEFd{z(~aXJkMЂ#E|jڈZS+74Йd;nr]y[pBơf$J˴uJf/tJOFH""G+P<'DPi=W[D4ziX+z *I41YE6t8 Kj@ULS'8~ZHcC y\?~$q~DO]n*QLa"uAcHlp0yK|[O[Tm6)[DHc+$q)J̥,֑,"Aud& G wq[jd)]Ow)7'b~^m$kmYX_b8qzu+O2[6%޿W$EQ՝D#+$Q$<=o5LnGr3qTcԏ_ʬZْR_vK*V^ Grx Zv -W3c>NUmTK";p_>K/LCT%O&żV{ W# endstream endobj 167 0 obj << /Type /Annot /Subtype /Link /F 28 /A 168 0 R /Border [0 0 0] /H /I /Rect [ 262.7940 757.8374 357.4860 770.0474 ] >> endobj 168 0 obj << /Type /Action >> endobj 169 0 obj << /Type /Annot /Subtype /Link /F 28 /A 170 0 R /Border [0 0 0] /H /I /Rect [ 269.8020 743.1854 350.4780 755.3954 ] >> endobj 170 0 obj << /Type /Action >> endobj 171 0 obj << /Type /Annot /Subtype /Link /F 28 /A 172 0 R /Border [0 0 0] /H /I /Rect [ 272.7900 728.5334 347.4900 740.7434 ] >> endobj 172 0 obj << /Type /Action >> endobj 173 0 obj << /Type /Annot /Subtype /Link /F 28 /A 174 0 R /Border [0 0 0] /H /I /Rect [ 264.7920 713.8814 355.4880 726.0914 ] >> endobj 174 0 obj << /Type /Action >> endobj 175 0 obj << /Type /Annot /Subtype /Link /F 28 /A 176 0 R /Border [0 0 0] /H /I /Rect [ 280.1340 699.2294 340.1460 711.4394 ] >> endobj 176 0 obj << /Type /Action >> endobj 177 0 obj << /Type /Annot /Subtype /Link /F 28 /A 178 0 R /Border [0 0 0] /H /I /Rect [ 295.4700 684.5774 324.8100 696.7874 ] >> endobj 178 0 obj << /Type /Action >> endobj 179 0 obj << /Type /Annot /Subtype /Link /F 28 /A 180 0 R /Border [0 0 0] /H /I /Rect [ 259.4520 669.9254 360.8280 682.1354 ] >> endobj 180 0 obj << /Type /Action >> endobj 181 0 obj << /Type /Annot /Subtype /Link /F 28 /A 182 0 R /Border [0 0 0] /H /I /Rect [ 279.1320 655.2734 341.1480 667.4834 ] >> endobj 182 0 obj << /Type /Action >> endobj 183 0 obj << /Type /Annot /Subtype /Link /F 28 /A 184 0 R /Border [0 0 0] /H /I /Rect [ 0.0000 841.8900 0.0000 841.8900 ] >> endobj 184 0 obj << /Type /Action >> endobj 185 0 obj << /Type /Annot /Subtype /Link /F 28 /A 186 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 613.9694 147.6920 626.1794 ] >> endobj 186 0 obj << /Type /Action >> endobj 187 0 obj << /Type /Annot /Subtype /Link /F 28 /A 188 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 599.9390 35.0000 612.1490 ] >> endobj 188 0 obj << /Type /Action >> endobj 189 0 obj << /Type /Annot /Subtype /Link /F 28 /A 190 0 R /Border [0 0 0] /H /I /Rect [ 284.8080 587.3174 335.4720 599.5274 ] >> endobj 190 0 obj << /Type /Action >> endobj 191 0 obj << /Type /Annot /Subtype /Link /F 28 /A 192 0 R /Border [0 0 0] /H /I /Rect [ 294.8040 572.6654 325.4760 584.8754 ] >> endobj 192 0 obj << /Type /Action >> endobj 193 0 obj << /Type /Annot /Subtype /Link /F 28 /A 194 0 R /Border [0 0 0] /H /I /Rect [ 258.7860 558.0134 361.4940 570.2234 ] >> endobj 194 0 obj << /Type /Action >> endobj 195 0 obj << /Type /Annot /Subtype /Link /F 28 /A 196 0 R /Border [0 0 0] /H /I /Rect [ 0.0000 841.8900 0.0000 841.8900 ] >> endobj 196 0 obj << /Type /Action >> endobj 197 0 obj << /Type /Annot /Subtype /Link /F 28 /A 198 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 516.7094 99.0200 528.9194 ] >> endobj 198 0 obj << /Type /Action >> endobj 199 0 obj << /Type /Annot /Subtype /Link /F 28 /A 200 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 502.6790 35.0000 514.8890 ] >> endobj 200 0 obj << /Type /Action >> endobj 201 0 obj << /Type /Annot /Subtype /Link /F 28 /A 202 0 R /Border [0 0 0] /H /I /Rect [ 259.4460 490.0574 360.8340 502.2674 ] >> endobj 202 0 obj << /Type /Action >> endobj 203 0 obj << /Type /Annot /Subtype /Link /F 28 /A 204 0 R /Border [0 0 0] /H /I /Rect [ 259.1160 475.4054 361.1640 487.6154 ] >> endobj 204 0 obj << /Type /Action >> endobj 205 0 obj << /Type /Annot /Subtype /Link /F 28 /A 206 0 R /Border [0 0 0] /H /I /Rect [ 276.1260 460.7534 344.1540 472.9634 ] >> endobj 206 0 obj << /Type /Action >> endobj 207 0 obj << /Type /Annot /Subtype /Link /F 28 /A 208 0 R /Border [0 0 0] /H /I /Rect [ 281.4600 446.1014 338.8200 458.3114 ] >> endobj 208 0 obj << /Type /Action >> endobj 209 0 obj << /Type /Annot /Subtype /Link /F 28 /A 210 0 R /Border [0 0 0] /H /I /Rect [ 0.0000 841.8900 0.0000 841.8900 ] >> endobj 210 0 obj << /Type /Action >> endobj 211 0 obj << /Type /Annot /Subtype /Link /F 28 /A 212 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 404.7974 135.0440 417.0074 ] >> endobj 212 0 obj << /Type /Action >> endobj 213 0 obj << /Type /Annot /Subtype /Link /F 28 /A 214 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 390.7670 35.0000 402.9770 ] >> endobj 214 0 obj << /Type /Action >> endobj 215 0 obj << /Type /Annot /Subtype /Link /F 28 /A 216 0 R /Border [0 0 0] /H /I /Rect [ 297.4680 378.1454 322.8120 390.3554 ] >> endobj 216 0 obj << /Type /Action >> endobj 217 0 obj << /Type /Annot /Subtype /Link /F 28 /A 218 0 R /Border [0 0 0] /H /I /Rect [ 281.1360 363.4934 339.1440 375.7034 ] >> endobj 218 0 obj << /Type /Action >> endobj 219 0 obj << /Type /Annot /Subtype /Link /F 28 /A 220 0 R /Border [0 0 0] /H /I /Rect [ 238.8060 348.8414 381.4740 361.0514 ] >> endobj 220 0 obj << /Type /Action >> endobj 221 0 obj << /Type /Annot /Subtype /Link /F 28 /A 222 0 R /Border [0 0 0] /H /I /Rect [ 0.0000 841.8900 0.0000 841.8900 ] >> endobj 222 0 obj << /Type /Action >> endobj 223 0 obj << /Type /Annot /Subtype /Link /F 28 /A 224 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 307.5374 122.3480 319.7474 ] >> endobj 224 0 obj << /Type /Action >> endobj 225 0 obj << /Type /Annot /Subtype /Link /F 28 /A 226 0 R /Border [0 0 0] /H /I /Rect [ 35.0000 293.5070 35.0000 305.7170 ] >> endobj 226 0 obj << /Type /Action >> endobj 227 0 obj << /Type /Annot /Subtype /Link /F 28 /A 228 0 R /Border [0 0 0] /H /I /Rect [ 243.4560 280.8854 376.8240 293.0954 ] >> endobj 228 0 obj << /Type /Action >> endobj 229 0 obj << /Type /Annot /Subtype /Link /F 28 /A 230 0 R /Border [0 0 0] /H /I /Rect [ 289.8060 266.2334 330.4740 278.4434 ] >> endobj 230 0 obj << /Type /Action >> endobj 231 0 obj << /Type /Annot /Subtype /Link /F 28 /A 232 0 R /Border [0 0 0] /H /I /Rect [ 272.7960 251.5814 347.4840 263.7914 ] >> endobj 232 0 obj << /Type /Action >> endobj 233 0 obj << /Type /Annot /Subtype /Link /F 28 /A 234 0 R /Border [0 0 0] /H /I /Rect [ 247.4580 236.9294 372.8220 249.1394 ] >> endobj 234 0 obj << /Type /Action >> endobj 235 0 obj << /Type /Annot /Subtype /Link /F 28 /A 236 0 R /Border [0 0 0] /H /I /Rect [ 233.1120 222.2774 387.1680 234.4874 ] >> endobj 236 0 obj << /Type /Action >> endobj 237 0 obj << /Type /Annot /Subtype /Link /F 28 /A 238 0 R /Border [0 0 0] /H /I /Rect [ 288.4680 207.6254 331.8120 219.8354 ] >> endobj 238 0 obj << /Type /Action >> endobj 239 0 obj << /Type /Annot /Subtype /Link /F 28 /A 240 0 R /Border [0 0 0] /H /I /Rect [ 275.7960 192.9734 344.4840 205.1834 ] >> endobj 240 0 obj << /Type /Action >> endobj 241 0 obj << /Type /Annot /Subtype /Link /F 28 /A 242 0 R /Border [0 0 0] /H /I /Rect [ 279.8040 178.3214 340.4760 190.5314 ] >> endobj 242 0 obj << /Type /Action >> endobj 243 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Contents 244 0 R >> endobj 244 0 obj << /Filter /FlateDecode /Length 1872 >> stream xX]}_ai[O$]dm2hQy%bG"Kɖ< оX6G$=ùKx$liw_= ?{j,xž~L=޸Vլ>th^Z^$sfԍŀ?дޘV l^񯿰EQ2DPLzU/:F9nc}Rs[}tfZپb;׭ld$&`qy#-[ܳڞ&5|kxl^Z-9HI"6[$f;`i񚢱9E7.@vJ~Mko <_2"-V4xVy;~Wl NImϾ9; M+*ua-9 VRu`!FX^~"0bp [h \-lrShN'?(O(f"`jQ{10W3+;in,j[S(tK"G*D)r1hdĹi/e9!GN\#pY"UymMr%8XrSR셂FQ5j$LoYJv,[ |jQXSY'&"9DM$$SQ z\-o3ÅKMLE]Ut;Є=&٤JjPHOEuHוX7!:q2h[FV 1 sP9C>7Ge_Elֽ(61xM8sme*4+o̩Fa=R(7!$)6@+lP+8_:mQf؃DGY g A¨p`VwnZcjpP$C[>f["j <&~_Z~֐k!k3Oڤpf'A=^( #$E? ƺHx$-66-M6+n}vn⢪D-h.ص`C-I1becVׯ+${%mW393bc(v/2ܘpkucC =iڼ Sx \souhH{W -J[(B3&g'-s&>B!oP~؎΄C4(<;Zs&B;k bÔxQM7&N 8A3_ڔ> le76`u|F99sD C' ~s[E9pM[$Q%\w)mr..>ɂ=e.b.%;;g?3 4kPՖ@wt/)eGGόJQB w⿒kؾ;n(q$ꞿ|lǖ.~T[͆= e.a(\ wa z lV.xvZbAHJ=uHǝģ@zrJ2 \R>/fGqXegW#gaoVf`lEW,Tx-$𬋜Am endstream endobj 245 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Contents 246 0 R >> endobj 246 0 obj << /Filter /FlateDecode /Length 1872 >> stream xXے}߯TREq}tct n\ol& YӚQ4<^zkWsUNfmvTkE>o[/nAʺSohzƅ(~#)%> -yoˈ~q/TW\pŒEnA!:h? bj[ec࢓཰уV=_Λ3qvhl!F9ݤ@DÿXh1v l[㺡mp-8'Cmur  nZ0n{(DDO{f52գcq4QB Wj2֭-L6v(*)ɔ@7Y]XBq/\;W87j>a5_G1]@.Hm|WL'Phjk 7璐sIT=HeOhM =Wؼ0Rw(k`n.c\G2ATiZ 98&^xB}{{, xF0ҿWx"~Q2l@7Hmј(]C=4r>Wŷ5yr)r4QSln9.0>5+PNynY׮MW~g>CUP#gYh(bLJR5#Z0lBr%q`.K15 :/ǾN>KCW>`ʡx?e 90g&<7HS{19׃J .> endobj 248 0 obj << /Filter /FlateDecode /Length 1738 >> stream xWMs6Wi+~)8N홌JrHPD)RkK R<CׯW .? ĩ9l*œ~Oϛ|{<|l~"A0!΋F1 h^[9Hx=ضBUvnڹu{#(>n˗ 7Q|  hM R1GÀ6Mn(}PPk[V >.ZU:>0I HÑpm)0%|h( Rf>yz#2k DOĉVtB t l;p8huȧ3LZ)12`O }uT#]kq|52>zD4ʅN%5%Q%]b_px00^V ;Ks,  Qd s/1 CQ!+]B,Rf,)2 B88*8)C%a('A|$L)uBՂ\'X8(\D\!b3vXA#%$ZEaGS5h FūJ'*f,QWeZIfh^>#,IKe)0%8;6ãu<ꈞiG@'*ɡT{0dma}4V}x/w>~v;EəYR泲RIY|16 "|/Rs˝ -Z#IT0{BBV?Ҋ&/5rnF͋umQ4%=s4xf+ʢ96ôr! >Ŷ׉=n>{V;t 򁾨l{J43eTw:N]IŴEM ʆD e_F^(gvԮH -]UO~tvOTϕS{D+YK 4s"&S%\g'?K8U~w a;ʶVi]ҏ6Pz|v`WD1Ӌz0w*pӵ-j=.@ i(oF0niWPWK_~~*d) w?Ku 4/W3I<\0i,7O㫄J_Ĭb̼*R| 'xOpq^X̯1iO7YEʎN'KPԒ'E¢p "(xXut,53igہ4t\(GƓGYX{ X_3O3#Gno(5; e+ʙFkx Bi(K endstream endobj 249 0 obj [247 0 R /Fit] endobj 250 0 obj [247 0 R /Fit] endobj 251 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Contents 252 0 R >> endobj 252 0 obj << /Filter /FlateDecode /Length 1946 >> stream xXے}ԺJ*Oz|z+DB$<$j_/I7@R q"@tӧEQO\}}inmkEp͝эGJW505t$u?jE-:YD/`|s BU?rkGnpsF,$[N .{Q4T0*9ڲ*qviWU_mw9fyyq=/SċmA?ZP +;#lh=6-4= >?=ea/"VQB/:]KAysB OY F+\P?NATxu|4Dz&#RA4ڜࠫx&3 1DMz}R!>H7͂<&vb&R~>~AZnx5?c'u#b@! D?Xhe^ht=VjQŌ0%,23GFq3{nr-ig=J a]vQY$CaR Bt8v֧pL"&NF ˂iR FeԀSA+qN!aIgT*vQQ/4Nc&ߡP֋fm;{.z! V6G m3yВ+ς[A~&x*~.L]QV2 q[:: RazmyaT^*6#,pZbl; \ƺy,ϵ&ҙOd!4Eβ`g jJ}]dr^B`w,!r7 ܁ Mbq.\Lųg](4'O; ~,q8 }Yma0vkM lV"TN޵56zmMw Iw,CB]D~@8\ku\B)EGb2M^Tpk{6a݂W-2Pʌee0yᶽFtJr)ܱḦ́a9nbAHjsy~A[iy%IBb9VHb$aY3 *b9g "~kPeA+Hvwbh,]N)+sVPv1qr~Y-qoo/*Pl+#?|[6 ~V+׿JnhDTnpAK?PDJ %RtYFWzqU0dns>v> endobj 254 0 obj << /Filter /FlateDecode /Length 1819 >> stream xXM6b})L:$3"ȁh$x_dIYV!jxUի~XE44o7jxYЦO)NXDѯ窢ݠ$C;E=p5E{of{,:A8_n' qN7ڼJ<^ TqU jN׼tkjJ`]5~h.-/[uWBieog@--$, S)!шV*DhnLeM-C<ѕ8(ChV[`_eb,?} RF{Y>o^( ɗ,MCL< j|V_@ h{ٔa7F%ٲպ:oRhkϩxTAD#g0SBk.0C2qGYf!*h55&i8g\8;=GΣk އ-W,wtSh #N"۞qGut R » I\2ִ]Heyݝt[fYwƅƫ{ｆb}G#_M &# )E@xj4aa1'We7Oo}7'E֫Po<+pG2;^ 3&NH0..&CM?s7^._q8Tc|}5xz aΟM/e;UXL trgDq@]0;lqVm:f^n-9lzjˮv4 N8eߘv凖Z^SߌY4zru^(<URmC4`p#zڎr)]W+'^X1܏;&Mk/}w^ VfZٟC Ƹ (.E!*[%'!DP@QmNok>o9ꔄ1= L_s$VQ(oslV Mv8=Z։\$iN TNY\'-Gckk MzNx8<jt)3V"r'09KL"3c'E!Oh1"zO?9(;Wog_KL{luQ/Yo槧y,#pgu|˝o:h>v ~4D#Iuti9ޭ1(#Pbm KlI(@ĎMM,oyTy^^ wDr}rV9Fy)xV<[}{AŬ: 9qF%? U*Ѹ,OBގC.bz hڜ endstream endobj 255 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Contents 256 0 R >> endobj 256 0 obj << /Filter /FlateDecode /Length 1604 >> stream xW]o6}ϯO$-=Yv-k< EZ--IS%;d[mt/ˆ{u1hmϾ_Q?qEB<ȏG ѻov﫝ZS߽K^)i}H~T%UR[!;AֵEgAb]%甫u7z~6ԞvA!0r@jfD%1\ligz MiKW?[ZU]8k$X$p؜[z7+rFH3Wrd +ҥ`f,+$Ǡ .sA#VB궢'^of~XVsQ]qLPI+Vk^S[ BpbxW=(u I J\N(hNBWѓh49{ %+yPz3_UAG.#ۖN8YHЧ@D,U)l- C' AN)47KzB2qw1Ϥ8@cq%C D ͷ$H7V2;o\n]ő]eco&j$(Gd(s!܅$Y 6a!q,s k5%Mt#yǁv=y~(kw+p區 w P7"|ht4yB_FSzd@}/c`on73G*(Y湪5|ʵ0 wU7/{Ͱd)隆ںhn#jeW^0E)W2j5Iӧ$M*Y ƭsqQW(eD,]5khq5ly_pE48+ XRXAy cUC#?es&-UWq %WRB8QHSEyc9.C)4X.CcJSWv=+QĂЕ_Ja1Bț_X)HAM'Y[1u<^>fؖflrTKء mS`ꃻ\x"EujT1U4U#sZՃyʹQ}k~l-ap. %؃9b +.5'v&NŌ3/K? @r:O'ӯj@a0/^{&;[fOwEux4$pGZ^7tjvvBG5OԳ5Ř{4"mg&~!yfZo,%#zb*[PfΞ#4 M-^\"숗z!f%(ZJ *y-Y=#$ gtS~!JFh|9Q8,2# 4P}P@ J!6-9zJlûctWGͩٴIF˙ǿh)OOPh*lT[olδ_09}==  t1Łkgý[x _+ 2i endstream endobj 257 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Contents 258 0 R >> endobj 258 0 obj << /Filter /FlateDecode /Length 1883 >> stream xXr6}WVRAxx'U[I PC /j+__ E6;Q@ӧ DlWP( (ORQkTͻHէtoUٷJlQEiEm;e:յ5vu#y%v=׿;,ġV7rY3ttUE8õEt$MEJ ΋$D&$A8|{"w4tjWuE,bVj.5@pV1Y BQdL׷C+C;%vFRW66Uwj̐ZwUTY+l8 |89b1-`|E1@t86joȞю8JV)js}`Hd]@O9J~I m8LKmWu-ÑQb>jcA @9lA69]9$Hӿ|≵ԩ\EMH(Lfk|Hs kNWyCxF:8T0NwkixkÔPy $z -ԧ-kTZrlj)6j!<)ы1 |3Հ}KSeN!Y'"|E +ҸhfwLpϠjM lmgˁ.n.Ymx=t/* EY!WbA;8IO].sA~rR Ƞ|ik]h^=WyTRWKa9Ruo`/ Kh]pO[1@9Tmr9DjBCE54/nƭ'+Jb%[9/D*).3ϏB#L+TKP<,6O,JM~O!;~F|6nmjf"<`~Op}' A,Rܗ7w?X6i" ttKaJAEyHeœg ?%+!TODDڈ`9Ks􈹲eњ{b5g>ܣܣӗ "G!Z%Ÿx2c"}YhaHF9(ġʹ<E;4ZD6r_C.g/h& endstream endobj 259 0 obj [257 0 R /Fit] endobj 260 0 obj [257 0 R /Fit] endobj 261 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Contents 262 0 R >> endobj 262 0 obj << /Filter /FlateDecode /Length 2160 >> stream xXM6ϯc\5SOIzR8DxHHJ_#6|F@$$ ~ݷOuzEO }CAi!zMV 'vZu/vl#2MNii^ :WDˡVfv~DZ3V9ZEf#fGSd͠kCCGcp-zwȏY~87o8݈*k >99V4T>4inoD{9ڻIзEbBIKutrRVdA'-țVOBP~:&q]!JÌ EJe= l?!$INE]0δkjBKŶbXօ$12"3õ2 ho2u8" z ,Z-Z%"-cƞ2!,^Nqv\K{bFGc&НhC[{c-]EZDjt3߉w,Q4y So;=Nvsǫ:gCs:_1De&*kNK}r<aCɻ_qj豣 '*ź;})FZlXK\J p|a:<<܅ZF{O"z̟YYF3ΝTwK=3cX\\Iu~Ηsܚc-ݹ u='-*0 ೠ!9зk5yw~b`˛M:Jm#g#p~2yW0KEIGJ5N4kvEݿ]J{׌_zUZ mҕHX%:ϿϏo^ކ(pz$ՍS>4G-?7MZA,+:4KJEU*V8^=(_vVPX[Ni 2 F$AGև^X]2%e/ל~>}:Is[yה/gƋmy,ko2&=Z$~ϙ_'b?o)*)Df'gUS endstream endobj 263 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Contents 264 0 R >> endobj 264 0 obj << /Filter /FlateDecode /Length 1890 >> stream xXے6}n*OYڳJ$E[= R"V`QCݧ|Gq@Y(:ʶ=뜒*aO^ |7ty_[z^%,U2Je?[o88P7ܛf@^ M;ٻ18c/NjCGu8jó(um*4ZIc` y6=+>RYclQOpY*L?lh/9! *k\Tߪ 3i7WU `tVx&{<|ףymeE@ӒKtK 8Kj8kzשi{cIPgZi{rg5(0CcƸKqU`jŠI.JDH&ܚh(if&ŕ T4DUeDwj6q"p@[LjkSgdN&ts(Ɋ&, +L ,o|ԓ)an9WNuAmHC ; ۹rh31}"*Ch'Y?鱠W]uu $“QU<\I/v.Fs\=/(GmB.Կ*~;{ WETeRx=Qcyusz $QP0X2L@B$"(uekEMM/ԠnG1'ij}C?Jni?u~GĬ!L6fOGGY)>N!>gf<!T-3Z<ˀ倐'a" W8Bi741حv-RZ}tTګՌy+n*ڭi(rI$j <:LhDo}f?΁B4oe#Z5sE>C=UP!*"pL 3ej8*HppdZB{q;+P̹HǙX ;bQVeQ=GNbY S=oP0MjN!$TYnU@ YEEN=5J\/%Fsj+{CE-8!H0uKM MlnãM⍺asdgf>ys)E׽PiGiNZhTÅi$ @b A GePE,6mw"If)Fwm$T6˲=Kr}X;e-άCF;&yЈv)S<$\y΋!,/8`1TФixYE䙩[ LeYN'F۹ks=87M`,2 JjbC+f'cA0<|$N endstream endobj 265 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Contents 266 0 R >> endobj 266 0 obj << /Filter /FlateDecode /Length 2065 >> stream xX]۶}_q:.MR"E>y_d<@$$bNJ\~I)ži_D"{=@7q1-?ZefQPӳW+J(ѯ߽JzeGR&9A$oC#ꄵJ:HrA{QUQnhhV2ZF?ˇ%ueIՍ'Sj\NRe%2ZU%mpR{pGaig~ZPTorJOQPzP-iO{W[|jI]I_ WU5mOԞe@oC7igHr|o7tJUBI4 Q|'e{ޚ7A"FG, #6Ɛܷfx!ڇtR8Df|#VnOLYmk{{υ+#':b|`(mE \@kJ 7o|OO~x>n) ޘ݊s*mFms#` R=mb.+w\O(Eξx|ס2gD! -y/􋱏N(w 'bQuL)pC z/.ٺ6eL9j&ۜ3%<lTNNZDŽ,!4GHJzA9ޝ{ d*RiZ~C1I3; q<ܟBѺ'6+}ߢ=t Giwcǥ1ZKt!2*+חu ¹FشY9]ܖ{ZWAA,[껭/ A./zrYu%Γ %;Hn TS/m5h~gIh3}D z/93r*/8Q;d'vh <'-Oq )~ B΃ jڢ?3Ȯ x‡(*MԵCey)EA v"Ϣ c{l}lQ-Zc-N$-pf[2 p1S@??wLi֖9&*D&Dt6 E /, 7밵ԏ=lxe^cBpHԝ*mr@ T1l'UEnw9ؖ:mnBeiTf!Xm͵v; G9pOMUeH.5hv^x?˧Uo-tV"Y%wLYr]_%']|&MWQN&[F81\F5-9pr#NH\DeТ-\Ŋn ";x䳑fpc5MPF(%IH =5G M'xMoᒗwbPi?mA+<$@]8O\fdMaCg\')_  I`_ɃiX2ߎybN>v}U,͆ ]K'7V/mM}/!P1d "$H?μ8Fd]jtTpR|)kV~9y$JӘ!@KzqZG'#i#i }G|H1D/TaPy7ycB{ה_h]f^ $8~w/Żl+,^rUokN(%P"@T9!YIO?*杭 (I;`:J,BN@B:׿d=//ל>H<\$r> endobj 268 0 obj << /Filter /FlateDecode /Length 1812 >> stream xX˒4WUcE A肢(j[VbKFvĩ|-_‘==iO%sܫԧo%K^b bϧ/Zt~PWGoW󡈂!=1:q9 5pYr9Tckb堕%LV?t\ s5ԫ3u88 !O$$pL7#E; \ґyO}vĆV] %JU#Qn-(4AFs!APң=OAD~KKTN\p2ߋmaħ=clN`攕5ӬWtmT걓ʄ㤕Bo!#ꬣ4 "L. D_n/~sOSCoU"m#pLe>bЬ&(tmv_D!Nl@2$˼0ptJ&sՁ =ԢTX&x,̵Hn\zT [.,i%V9FL&ݭ <{oyc)#.>֝ęW.vXTi!bNݫ5FK7D.R75Q&]?اmL=Fߋ5gEiA2U3"SU?0]M:8~$-G@xް h,`%olj >~RG^Sk|FXi%qdd^q=( DaD,)eS1ۂ{h![$Pe$N_t}Cg]HըٴZhY0ыo#N5๰ Y9\2Tn'=@HNqT3B4:I" WM8xu6wBa3mA]#b$˘ƀqd lo- vbZ(p"g3[?(A`Uiw /)\L\lpWiۯ[[pEns4flE{;:aJh^%iz[GcTvil5^zelC VV8jg6R7tA/]-k#Ќ|iȭNk\oK$sV]RɾGǨ*aF"7_y~0I5?`4ӹm%3/\D4L`AI=Ä91lT³4n2ᩭNub~"MY\џ=l(t2 :<` &j"Wli,w=lckXY-1a;Qft 0E.)Xɞb`PAz0|zDq尗ao3'oʴRDoj%9? L#S 4iJĤ˧] BV U-M*[Q4{')Mp".RBM|Ւ$vcӅzryX/ה 1ƽ,re C+ Mz o}q* Rn]C\^ ?zIzwJ!gwF endstream endobj 269 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Contents 270 0 R >> endobj 270 0 obj << /Filter /FlateDecode /Length 1651 >> stream xWMs6W?%q3ԉd29@$( (__P>1Fo z{J3.„>ީO~M(cyvSnJ C]-Hhےv1R*]od{{y'-Ղe5iYUfCqxЈݾI;pսUA1jpl0_ƽ MvTs^(P}5hlE@lEw;Wнj\eh n({;Dlwji9|x2vY[LM YpQ',046A?pŒ;26J/ac,F[\<Ѐ=J* 7%AIJgN/jhd9/8MYeKt7^^_nxod̍@_:=l֦XÀs[-Sg47>4Zg[7L,Fz6M 0EQPxg}˵o|`A@93~0z_8\fepaY@eW&7Qr6 g] owеώ8SN]fU䫬i)68ʘ6ߦM6}?9(%hWzœCveᒅQ4e%՛z$A,YI=*K+LFjIoPDQ\%40 pKN%bg#O% (r=vJX/Bט7qHm||D|Ǚ,3ҧi> endobj 272 0 obj << /Filter /FlateDecode /Length 1812 >> stream xX]6|_яӶ`7"L$D[HBJ~dIŲ9"Y쪮nMaHOs枒m 龤/M(DEC%A'$}$j[6T:(qh4Խ0dn\у%S]ňP%Fg]ޯAYE[(_izۓTn;adu)ur8px@cǣ- ^Ď hR~Jmr IQTp U9HU/;p_T=0Fw %btO 'qCA_ E b_s4PWjFA7%ɧaVC${OI)J>r]Dv@H˄q1 u`loWF#t)]?0)e ]'ESK(JE͐U<1iuWնgW' >]dh&xP7o{Ç^JG 0 kzidIDQE P,DZ TE&IΗѭǣ,qQHV'Jo0WlXhFyǡ?*`,J^D!1`fY.?u6#AuϜK++}A@jڔNN09NYި;гO|&Ͼil3B[pK~BsX_nkUr3N6EIȃ晾`Ucⱝg.<.6T4P i3!GX HQ$W0k^T_LF/<.KNA/,"S- 60 v΃j9X8m12gDZ<0uJv#?#-Vorg/b MuUȩSPoCyɇ)s%wo{( g&c-N :/b\wsSP9'70B^y K/04esYP;~^c@fmSϮOۼƩ |PdFyANnsJdϓ։ᾄ3 1U ߴ8DVkXŹVY1WkڵV9pb}q*+z~q>Q+ Qqp;v $wet\'Bt._{n߄b>`X1܅#+n4%uo#u@}u\ \@SV{vQY(+5^={7η) }%ti6s}qU&vSZxy^o)jeU|QGzMc>wT/Gy0+gUoϛrεo 4#ыy#2ׁ ,iw70,zѯDKzGiO7_~!gO#ͳ pܞx9o~|_oLifB7޽|]|{]Z=qۊY^!YNO7hD9YDE'JhtVyapLG*FЛiYzOf=2 /s/>B4?2N ,ڝ8kۮfD3ns$%wc> w;ѧ{q7x endstream endobj 273 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Contents 274 0 R >> endobj 274 0 obj << /Filter /FlateDecode /Length 1714 >> stream xWr6}WS'Q`E>euחfDB"bPR2~IE1 ܦE &L?-ĩ1f9Vp|Cno]](p |%X.G)?i=ю`W\Zw{XJ] +ynv'IIf<Ӛ)pM<"'A 8͛]:݅oz6ǧos}֋{h{KȽ[a|ÐuW uu]7vrKF']M;.m5e77{TRhSnJ%Nf -s_Q q$v|#{Y<' %\0}sAnЖ#!d#K8@t{fۚi+&%Sk(&AxXQ.Xzne ˆA)|I d m=-+f[&U~6$R8-voW |X䙷TX eC%MWVYlV %Ik֮je$ }žgJKׅFHiCO-YAE.`70$i;UK1|1U K[6:9@dkѲf[آ,!azW_]_Ǫww'U H|_KTvpEN#q|Vh(m;%FjƂ-w NhiKMx\= /5uR|"&cA %drGSutpS'}x I_^` 85g|K4uЌƢh(1hE7k &Ҷ´T Euo\~-o0%氍UUJѭ9S=>ׯҡ]e#WhTyǣ-1/sy`HD$n$"s;2.x ( )G/B8K5U fߎ_܄CHI/8)fB4"*IL ڡ0V:/IP&x,1O-7 "&7Կ`R h9Ru?jTqD< mɇx2_2}]ò4gI`c昗@9gBMVF]-]Cw/; endstream endobj 275 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Contents 276 0 R >> endobj 276 0 obj << /Filter /FlateDecode /Length 2099 >> stream xX]s|ׯǤj%_ήr%''rKb8 [m~{.pJ^D-V3=38iӜnpv8J{%i?R<:UшZJNhI ~ݠK&$}-'CxݯET$lGU)ۑ>andٱFi7o

m2R lۨCl_@u no0 _ .tBNIlԳWvQZۇ_!e(n\Ԏt^AUydtxJ )}d!,9L}N 1oFU},dvGCV~_FQm`6O}mP$X=f@4l1i%U>|Z#J_M?Tl> qժN=(29_`K(2bC/}\C3'ą U+QFM"]Hp{YaX Du)\6EՐƗơuC母~QQ34^8@tt‹jGCCf[ڰ<*%jepE/[gl*]^(ͣlGP2*]>V rz] ~qYT\2b1sOFO،Y leʌG= 8DV\v4LwՕzQRV2$T.{ZC|V5$M$nhU:Kw:.Jb!eϷ]5bg\3 8-Mj>ʂ-_uյy6/um}-̙ET.d6}MQ3Bbc`)frDvmpWlU8`^-*:-(+BvKZ>OJidL+g>pD@gehH2!Jc] ]CqV15͵q8Oª>y J̃* ͵&d0o@jz pvc# mRhBMfMj)LFyn8\i٥t܍*AE 1 R#n$Tta'Vε8/S6{g_VZ`rg\h=C_g 8I"ujB7o5+$I0>\n5{΢r뛷u!Fw o7?]햾A.?R82s&Tu|lYO@I~5E;_BO /Ւ"u%Eל^H_.p.WI_>9/wk1ՒhvV_g~#EsGu 6*8E\%<&vн8A  endstream endobj 277 0 obj [275 0 R /Fit] endobj 278 0 obj [275 0 R /Fit] endobj 279 0 obj << /Type /Page /MediaBox [0.000 0.000 595.280 841.890] /Parent 3 0 R /Contents 280 0 R >> endobj 280 0 obj << /Filter /FlateDecode /Length 1648 >> stream xWێ}%-=clĖDf-_S2\ô9xΩSD$IBmcKD+顡l)DBGr?(k9AavVd== wғz2$95:EHGU{mF(Rn_-~ŒHw,rƺM@Ox1qc:kLw|5nZ1v5.{O(wywe)2Y)/wVؖUDX6Vz^5ނVa9H{Gͫv' !3Zd]/asTLeߟGWk3t}לVCynezPЛ'!ܶZGODt?k`eؕQAPRA'?4<^9 "&-aXˏ0/)udPQE=5'@~ӜX(I[܇,Y =$c(W^ aa6H*&k#K PRg(q'k{v B 2Q$lI:XZϺQd.ƅ7 O cIM,AO,G%C0H(ZGG\P#dFȒmOca] 4CJjiiU $bɫ(4袏P'i7\O؞t`-zY*x`eGBh Uj0,KP^byO(8p@xblVc'0v?{3gwBccYbۋ,8AW0bhnG kf9 YH$. 91PE&*.wn0xeXOؾҌVgvٵ F/K`lYs%"1$R$fo%8Xo{sxYgq(w.x9 v 7VfqڳͲfyaYsgO=r %{bqxfXd==ρf 1t4  v>BRTm.4vTVcCg8,G7oʌwY3NsL OZ|> 90\›ʼn'hSpsMG5#FQ'$eSunqUk񏅐:촅XF 51^7h`YeCO4o?:f|ڗ+2yIX1"++g+ǜ~]* zDKs 3yhWt',xir7^eye _iywzߙQqyw v;z$b;4KpJEU*vmrJMy 2(:vi/hS|_l ٧ ud<_C1ޣ)nYw{p8J-K/g{EŞddwkk  endstream endobj xref 0 281 0000000000 65535 f 0000000009 00000 n 0000000074 00000 n 0000000120 00000 n 0000000516 00000 n 0000000545 00000 n 0000000694 00000 n 0000001033 00000 n 0000002415 00000 n 0000002524 00000 n 0000002632 00000 n 0000002740 00000 n 0000002853 00000 n 0000002983 00000 n 0000003019 00000 n 0000003152 00000 n 0000003188 00000 n 0000003320 00000 n 0000003356 00000 n 0000003490 00000 n 0000003526 00000 n 0000003660 00000 n 0000003696 00000 n 0000003830 00000 n 0000003866 00000 n 0000004000 00000 n 0000004036 00000 n 0000004168 00000 n 0000004204 00000 n 0000004334 00000 n 0000004370 00000 n 0000004503 00000 n 0000004539 00000 n 0000004671 00000 n 0000004707 00000 n 0000004841 00000 n 0000004877 00000 n 0000005011 00000 n 0000005047 00000 n 0000005181 00000 n 0000005217 00000 n 0000005351 00000 n 0000005387 00000 n 0000005521 00000 n 0000005557 00000 n 0000005687 00000 n 0000005723 00000 n 0000005856 00000 n 0000005892 00000 n 0000006024 00000 n 0000006060 00000 n 0000006194 00000 n 0000006230 00000 n 0000006364 00000 n 0000006400 00000 n 0000006534 00000 n 0000006570 00000 n 0000006704 00000 n 0000006740 00000 n 0000006870 00000 n 0000006906 00000 n 0000007039 00000 n 0000007075 00000 n 0000007207 00000 n 0000007243 00000 n 0000007377 00000 n 0000007413 00000 n 0000007547 00000 n 0000007583 00000 n 0000007717 00000 n 0000007753 00000 n 0000007886 00000 n 0000007922 00000 n 0000008055 00000 n 0000008091 00000 n 0000008223 00000 n 0000008259 00000 n 0000008316 00000 n 0000008373 00000 n 0000008432 00000 n 0000008491 00000 n 0000008520 00000 n 0000008956 00000 n 0000010602 00000 n 0000010734 00000 n 0000010770 00000 n 0000010903 00000 n 0000010939 00000 n 0000011072 00000 n 0000011108 00000 n 0000011241 00000 n 0000011277 00000 n 0000011409 00000 n 0000011445 00000 n 0000011578 00000 n 0000011614 00000 n 0000011746 00000 n 0000011782 00000 n 0000011915 00000 n 0000011951 00000 n 0000012084 00000 n 0000012121 00000 n 0000012256 00000 n 0000012293 00000 n 0000012428 00000 n 0000012465 00000 n 0000012599 00000 n 0000012636 00000 n 0000012770 00000 n 0000012807 00000 n 0000012939 00000 n 0000012976 00000 n 0000013111 00000 n 0000013148 00000 n 0000013282 00000 n 0000013319 00000 n 0000013455 00000 n 0000013492 00000 n 0000013628 00000 n 0000013665 00000 n 0000013801 00000 n 0000013838 00000 n 0000013974 00000 n 0000014011 00000 n 0000014147 00000 n 0000014184 00000 n 0000014320 00000 n 0000014357 00000 n 0000014489 00000 n 0000014526 00000 n 0000014661 00000 n 0000014698 00000 n 0000014832 00000 n 0000014869 00000 n 0000015005 00000 n 0000015042 00000 n 0000015178 00000 n 0000015215 00000 n 0000015351 00000 n 0000015388 00000 n 0000015524 00000 n 0000015561 00000 n 0000015697 00000 n 0000015734 00000 n 0000015866 00000 n 0000015903 00000 n 0000016038 00000 n 0000016075 00000 n 0000016209 00000 n 0000016246 00000 n 0000016382 00000 n 0000016419 00000 n 0000016555 00000 n 0000016592 00000 n 0000016728 00000 n 0000016765 00000 n 0000016901 00000 n 0000016938 00000 n 0000017074 00000 n 0000017111 00000 n 0000017243 00000 n 0000017280 00000 n 0000017415 00000 n 0000017452 00000 n 0000017585 00000 n 0000017622 00000 n 0000018045 00000 n 0000019637 00000 n 0000019773 00000 n 0000019810 00000 n 0000019946 00000 n 0000019983 00000 n 0000020119 00000 n 0000020156 00000 n 0000020292 00000 n 0000020329 00000 n 0000020465 00000 n 0000020502 00000 n 0000020638 00000 n 0000020675 00000 n 0000020811 00000 n 0000020848 00000 n 0000020984 00000 n 0000021021 00000 n 0000021153 00000 n 0000021190 00000 n 0000021325 00000 n 0000021362 00000 n 0000021496 00000 n 0000021533 00000 n 0000021669 00000 n 0000021706 00000 n 0000021842 00000 n 0000021879 00000 n 0000022015 00000 n 0000022052 00000 n 0000022184 00000 n 0000022221 00000 n 0000022355 00000 n 0000022392 00000 n 0000022526 00000 n 0000022563 00000 n 0000022699 00000 n 0000022736 00000 n 0000022872 00000 n 0000022909 00000 n 0000023045 00000 n 0000023082 00000 n 0000023218 00000 n 0000023255 00000 n 0000023387 00000 n 0000023424 00000 n 0000023559 00000 n 0000023596 00000 n 0000023730 00000 n 0000023767 00000 n 0000023903 00000 n 0000023940 00000 n 0000024076 00000 n 0000024113 00000 n 0000024249 00000 n 0000024286 00000 n 0000024418 00000 n 0000024455 00000 n 0000024590 00000 n 0000024627 00000 n 0000024761 00000 n 0000024798 00000 n 0000024934 00000 n 0000024971 00000 n 0000025107 00000 n 0000025144 00000 n 0000025280 00000 n 0000025317 00000 n 0000025453 00000 n 0000025490 00000 n 0000025626 00000 n 0000025663 00000 n 0000025799 00000 n 0000025836 00000 n 0000025972 00000 n 0000026009 00000 n 0000026145 00000 n 0000026182 00000 n 0000026289 00000 n 0000028236 00000 n 0000028343 00000 n 0000030290 00000 n 0000030397 00000 n 0000032210 00000 n 0000032242 00000 n 0000032274 00000 n 0000032381 00000 n 0000034402 00000 n 0000034509 00000 n 0000036403 00000 n 0000036510 00000 n 0000038189 00000 n 0000038296 00000 n 0000040254 00000 n 0000040286 00000 n 0000040318 00000 n 0000040425 00000 n 0000042660 00000 n 0000042767 00000 n 0000044732 00000 n 0000044839 00000 n 0000046979 00000 n 0000047086 00000 n 0000048973 00000 n 0000049080 00000 n 0000050806 00000 n 0000050913 00000 n 0000052800 00000 n 0000052907 00000 n 0000054696 00000 n 0000054803 00000 n 0000056977 00000 n 0000057009 00000 n 0000057041 00000 n 0000057148 00000 n trailer << /Size 281 /Root 1 0 R /Info 5 0 R /ID[] >> startxref 58871 %%EOF Genres - Myco-Verse Productions

Learn About Our Music Moods
Ambient & Atmospheric

Ambient
Ambient Bass
Dark Ambient
Lofi-Vibes
Meditation

Bass & Rhythm

Bass
Breakbeat
Chillwave
Drum N’ Bass
Dubstep

Classical & Instrumental

Cinematic Rock
Instrumental Electronic
Instrumental Rock
Soundtrack

Electronic & Dance

EDM & DANCE
Dance
EDM
Electronic Dance

HOUSE & DEEP HOUSE
Deep House
House
Progressive House
Tech House

TECHNO & ELECTRO
Electro
Progressive Electro
Techno

TRANCE MUSIC
Trance
Progressive Trance

SYNTH POP & ELECTRONIC
Electronic
Synth Pop

Experimental & Avant-Garde

40s Swing Electro Fusion
Abstract IDM (Leftfield)
Educational Jams
Industrial
Minimal
Parody

Folk, Country, & Acoustic

Acoustic
Country
Folk
Folk Rock
Future Folk

Hip-Hop & Urban

Chill Trap
Glitch Hop
Hip-Hop/Rap
Trap
Trip-Hop

Rock & Alternative

Alternative Rock
Ambient Rock
Classic Rock
Electronic Rock
Hard Rock
Rock
Progressive Rock
Punk Rock

Metal & Heavy Music

Nu-Metal
Metal
Progressive Metal

Psychedelic

Psychedelic Bass
Psychedelic Rock
PsyJourney
Psytrance

Jazz, Funk, & Soul

Jazz
Funk/Soul
R&B (Rhythm and Blues)

World & Cultural

Ancient Egyptian Vibes
Chants
Drum Circles
Middle Eastern Vibing
Native American/Shamanic
Reggae
Ritual Vibes
Worldwide

AMBIENT & ATMOSPHERIC

Ambient and Atmospheric music focuses on immersive soundscapes and mood creation. Ambient music uses minimalistic compositions to evoke calmness and depth. Ambient Bass combines atmospheric qualities with bass-driven beats. Dark Ambient explores eerie, shadowy soundscapes, while Meditation music supports mindfulness with soothing sounds. PsyJourney blends psychedelic elements with narrative soundscapes, guiding listeners through internal exploration.

Ambient

Ambient music is a genre that focuses on tone and atmosphere over traditional musical structure or rhythm. It aims to evoke an immersive atmosphere, often through the use of electronic textures and minimalistic compositions. Ambient music can be both calming and complex, offering a backdrop to meditation, relaxation, or deep focus. It’s the sound of stillness and space, inviting listeners to explore their own inner landscapes.

Ambient Bass

Ambient Bass merges the atmospheric qualities of ambient music with the depth and intensity of bass-driven beats. This genre creates a sonic environment that is at once enveloping and expansive, offering a deep, resonant foundation overlaid with ethereal soundscapes. It’s a genre that appeals to those who appreciate the physicality of sound and its emotional resonance.

Dark Ambient

Dark Ambient music explores the more shadowy and eerie side of ambient music, using dissonant harmonies, minimalistic compositions, and haunting soundscapes. It’s designed to evoke feelings of mystery, introspection, and unease, providing a backdrop for horror, sci-fi, and other immersive experiences that delve into the unknown.

Lofi-Vibes

Lofi-Vibes music is characterized by its relaxed, mellow sound, often incorporating elements like vinyl crackles, soft synths, and laid-back beats. It’s a genre that embodies chill, comforting atmospheres, making it perfect for studying, relaxing, or unwinding. Lofi-Vibes creates a cozy, intimate listening experience that stands in stark contrast to the polished production of mainstream music.

Meditation

Meditation music is designed to support the practice of meditation by providing a calming and focused auditory environment. Characterized by slow tempos, minimalistic structures, and soothing soundscapes, this genre often includes ambient, nature sounds, and subtle instrumental compositions. Meditation music facilitates relaxation, concentration, and the exploration of inner peace, making it an essential tool for mindfulness practices, stress reduction, and spiritual growth. It serves as a gentle guide for the mind’s journey inward, helping listeners to detach from external noise and connect with a deeper sense of stillness and being.

BASS & RHYTHM

Bass and Rhythm music emphasizes powerful, vibrating tracks. Bass music focuses on heavy use of bass frequencies. Breakbeat features complex rhythmic patterns, combining hip-hop, funk, and electronic elements. Chillwave evokes 80s synth-pop nostalgia with a laid-back vibe. Drum N’ Bass combines rapid breakbeats with heavy basslines, while Dubstep is known for syncopated rhythms and intense drops. Psychedelic Bass blends deep bass with psychedelic effects.

Bass

Bass music is a broad category that encompasses various electronic music styles focused on heavy use of bass and sub-bass frequencies. From dubstep to drum and bass, the genre prioritizes the lower end of the sound spectrum, producing powerful, vibrating tracks that feel as much as they are heard. Bass music is a physical experience, often designed for big sound systems and live performances where the sound can truly envelop the listener.

Breakbeat

Breakbeat offers a rhythmic variation from the steady pulse of house and techno, by slicing up breakbeats and basslines into complex patterns. Originating from hip-hop and funk, it incorporates elements of EDM, jungle, and drum and bass, creating energetic tracks that defy conventional four-to-the-floor rhythms. Breakbeat is dynamic and versatile, providing an energetic backdrop for dance floors and experimental listening alike.

Chillwave

Chillwave is a genre that evokes the nostalgia of 80s synth-pop and the tranquility of ambient music, characterized by lo-fi production, dreamy synths, and a laid-back vibe. It’s music that conjures images of sunsets and endless summers, offering an escape into a warm, fuzzy, synth-driven bliss. Chillwave is the sound of relaxation and reminiscence, wrapped in a soft electronic embrace.

Drum N’ Bass

Drum N’ Bass is a fast-paced genre of electronic music, known for its rapid breakbeats and heavy basslines. It combines elements of old-school jungle with the newer sounds of electronic music, creating tracks that are energetic and relentless. Drum N’ Bass is music for adrenaline, perfect for intense workouts or high-energy dance floors.

Dubstep

Dubstep is characterized by its sparse, syncopated rhythms and emphatic basslines, often featuring the hallmark “wobble” bass. Emerging from the UK’s underground music scene, it has evolved into a global phenomenon, known for its intense drops and head-nodding beats. Dubstep is a genre that pushes the boundaries of bass music, offering a visceral listening experience.

CLASSICAL & INSTRUMENTAL

Metal and Heavy Music is defined by powerful guitar riffs and vigorous rhythms. Metal encompasses various intense sub-genres. Progressive Metal combines technical prowess with metal’s power, featuring intricate compositions. Nu-Metal blends metal with hip-hop and alternative rock, characterized by heavy riffs and rap-influenced vocals. These genres are known for bold expression and musical intensity.

Cinematic Rock

Cinematic Rock combines the dramatic, sweeping elements of film scores with the intensity of rock music. It features orchestral arrangements, powerful guitar riffs, and dynamic compositions, making it perfect for creating epic, grandiose soundscapes that evoke strong emotions and vivid imagery.

Instrumental Electronic

Instrumental Electronic music emphasizes synthesized sounds and non-vocal elements to create diverse soundscapes that range from ambient to dance. It focuses on the texture and mood, offering listeners a wide spectrum of emotional and auditory experiences without the direct influence of lyrics. This genre appeals to those who appreciate the pure sound and innovative possibilities of electronic music.

Instrumental Rock

Instrumental Rock focuses on the use of rock instrumentation without vocals, highlighting the technical prowess of the musicians and the power of the music itself. It spans various sub-genres, from progressive rock to surf rock, offering a pure, unadulterated rock experience.

Soundtrack

Soundtrack music is specifically composed to accompany visual media like films, TV shows, and video games. It ranges from orchestral scores to electronic compositions, designed to enhance the emotional and narrative aspects of the medium it serves. Soundtracks can stand alone as powerful musical works, evoking the themes, settings, and emotions of the stories they accompany.

ELECTRONIC & DANCE

Electronic and Dance music is designed for energetic movement and vibrant beats. Electro merges electronic rhythms with funk and disco, while Progressive Electro blends evolving structures with electronic textures. Progressive House and Tech House mix rhythmic elements with complex builds. Techno features repetitive beats and futuristic sounds, and Trance focuses on uplifting melodies. Progressive Trance and Psytrance add layers and psychedelic elements. EDM encompasses various dance styles, all aimed at energizing and uniting crowds.

EDM & DANCE

EDM & Dance music is designed to energize and engage listeners through rhythmic beats and vibrant melodies. Encompassing a wide range of electronic genres, including house, techno, trance, and dubstep, this category focuses on creating an immersive and dynamic experience. EDM (Electronic Dance Music) is characterized by its repetitive beats, catchy hooks, and high-energy production, often crafted for large venues and festivals. Dance music emphasizes movement and rhythm, making it a staple of clubs and social gatherings. Whether through pulsating basslines, uplifting melodies, or intricate synth patterns, EDM & Dance music aims to unite people on the dance floor and evoke a sense of euphoria and connection.

Dance

Dance music is designed to get people moving, encompassing a wide range of electronic genres from house and techno to disco and EDM. It’s characterized by repetitive rhythms, catchy melodies, and a focus on beats per minute (BPM) suitable for dancing. Whether in a club, at a festival, or in the living room, dance music brings energy and joy, uniting listeners in movement and celebration. It’s a genre that emphasizes rhythm and groove, making it a staple of parties and social gatherings where the goal is to create an atmosphere of fun and excitement.

EDM

EDM (Electronic Dance Music) encompasses a wide range of club-oriented electronic music genres, including house, techno, trance, and dubstep, among others. It’s characterized by its focus on danceable beats, catchy melodies, and vibrant production. EDM has become a global phenomenon, fueling festivals and clubs with its infectious energy and ability to bring people together on the dance floor.

Electronic Dance

Electronic Dance is a broad term that covers various styles of music created to facilitate dancing. It includes genres like house, techno, trance, and EDM, focusing on rhythm, beats, and electronic sounds. Electronic Dance Music is designed to energize the crowd, making it a staple of nightclubs, dance festivals, and parties worldwide.

HOUSE & DEEP HOUSE

House & Deep House is a genre that encompasses the vibrant, danceable beats of house music and the atmospheric, soulful vibes of deep house. House music, originating from Chicago in the early 1980s, is characterized by its repetitive four-on-the-floor beat, rich basslines, and uplifting melodies. It creates an energetic and inclusive dance floor experience with its infectious rhythms and soulful vocals. Deep House, a sub-genre of house music, takes a more introspective approach, featuring complex chords, smooth transitions, and a deeper, more immersive sound. It incorporates elements of jazz, soul, and funk, emphasizing warmth and emotional depth. Together, House & Deep House offer a dynamic range of dance music that caters to both energetic dance floors and laid-back, atmospheric settings.

Deep House

Deep House merges the rhythmic elements of house music with complex chords, soulful melodies, and an atmospheric depth. It’s a genre that emphasizes warmth and emotion, often incorporating elements of jazz, soul, and funk. Deep House tracks are characterized by their subtle grooves and moody ambiance, offering a more introspective take on the house music spectrum.

House

House music is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a tempo of 120 to 130 beats per minute. It’s known for its rich basslines, synthesized melodies, and soulful vocals. Originating in the Chicago club scene, House has evolved into numerous sub-genres, remaining a cornerstone of the electronic dance music world with its infectious, uplifting vibe.

Progressive House

Progressive House is a sub-genre of house music known for its deep, melodic soundscapes and gradual build-ups. It features layered synths, smooth transitions, and a steady rhythm, creating an immersive, hypnotic experience on the dance floor.

Tech House

Tech House blends the repetitive beats of techno with the soulful rhythms of house music, creating a genre that’s both driving and groovy. It’s music designed for the dance floor, emphasizing rhythm and texture over melody. Tech House is a favorite among DJs and dancers alike, offering a sophisticated take on electronic dance music.

TECHNO & ELECTRO

Techno & Electro is a genre category that merges the mechanical and rhythmic innovations of techno with the futuristic and funky elements of electro. Techno is known for its repetitive beats, synthesized basslines, and immersive soundscapes, creating an intense and hypnotic atmosphere ideal for dance floors. Electro, on the other hand, combines electronic beats with funk and disco influences, characterized by its use of drum machines, synthesizers, and robotic vocals. Together, these genres offer a dynamic and energetic listening experience that is both forward-thinking and rooted in the electronic music traditions. Techno & Electro music thrives on innovation, complexity, and a relentless drive, making it a favorite in clubs, festivals, and among electronic music enthusiasts.

Electro

Electro music is a genre that merges electronic beats with funk and disco influences, characterized by its use of drum machines, synthesizers, and robotic vocals. It originated in the early 1980s and has since evolved, maintaining its futuristic and danceable appeal.

Progressive Electro

Progressive Electro is an innovative genre that blends the evolving, complex structures of progressive music with the electronic beats and textures of electro. It emphasizes long builds, intricate soundscapes, and a seamless blend of electronic and organic elements.

Techno

Techno is a genre of electronic dance music that emerged in the late 1980s in Detroit, Michigan, and has since evolved into a global phenomenon, encompassing various subgenres and styles. Characterized by repetitive 4/4 beats, synthesized basslines, and futuristic soundscapes, techno music is designed for the immersive experience of communal dance. Its roots in the African American communities of Detroit imbue it with a rich cultural heritage, even as it speaks the universal language of rhythm and movement. Techno often explores themes of technology, futurism, and transcendence, offering listeners an escape into alternate realities crafted from sound. From warehouse raves to festival main stages, techno unites a diverse audience in the shared experience of beat-driven, hypnotic immersion.

TRANCE MUSIC

Trance music is an electronic dance genre known for its repetitive beats, uplifting melodies, and high-energy rhythm. It’s designed to induce a trance-like state in the listener, characterized by its build-ups, breakdowns, and drops. Trance is a genre that thrives on emotional resonance, creating a sense of euphoria and connectedness among its audience.

Trance

Trance music is an electronic dance genre known for its repetitive beats, uplifting melodies, and high-energy rhythm. It’s designed to induce a trance-like state in the listener, characterized by its build-ups, breakdowns, and drops. Trance is a genre that thrives on emotional resonance, creating a sense of euphoria and connectedness among its audience.

Progressive Trance

Progressive Trance is a sub-genre of trance music that focuses on the evolution of complex melodies and textured layers over time. It’s characterized by its slower tempo, atmospheric builds, and emotional depth, offering a more nuanced and introspective take on the trance experience. Progressive Trance is music that invites the listener on a journey, building gradually to create a powerful emotional release.

SYNTH POP & ELECTRONIC

Synth Pop & Electronic combines the catchy, melodic sensibilities of synth pop with the expansive, experimental sounds of electronic music. Synth Pop emerged in the late 1970s and early 1980s, characterized by its use of synthesizers to create bright, catchy melodies and pop-oriented song structures. It often features themes of romance, technology, and futurism, with a polished, accessible sound. Electronic music, on the other hand, is a broad category that encompasses a wide range of styles and sounds produced using electronic instruments and technology. This genre explores innovative production techniques and synthesized sounds, ranging from ambient and downtempo to hardcore and techno. Together, Synth Pop & Electronic offer a versatile musical experience that spans from the catchy and familiar to the avant-garde and experimental.

Electronic

Electronic music is a broad category that encompasses any music produced using electronic instruments and technology. Its versatility spans across genres, from ambient and downtempo to hardcore and techno, offering an endless spectrum of sounds and experiences. Electronic music is defined by its exploration of synthesized sounds and innovative production techniques, constantly pushing the boundaries of what music can be.

Synth Pop

Synth Pop is a genre that emerged in the late 1970s, characterized by its use of synthesizers to create catchy, melodic pop music. It combines electronic sounds with pop sensibilities, resulting in music that’s both futuristic and accessible. Synth Pop is known for its glossy production and often features themes of romance and technology.

EXPERIMENTAL & ADVANT-GARDE

The Miscellaneous group includes unique and innovative genres. Abstract IDM (Intelligent Dance Music) explores unconventional structures and experimental sounds. Industrial music combines mechanical noises with intense aesthetics. Minimal music focuses on simplicity and repetition. Parody songs use humor and irony to entertain and critique. This group offers diverse auditory experiences that challenge traditional musical boundaries.

40s Swing Electro Fusion

40s Swing Electro Fusion is a genre that seamlessly blends the vibrant, big band sound of 1940s swing with the modern, energetic beats of electronic music. This genre features the hallmark instruments of swing music, including brass, reeds, and pianos, paired with electronic synthesizers, drum machines, and contemporary production techniques. The rhythms combine the infectious, danceable swing beats with electronic grooves, creating a unique sound that is both nostalgic and futuristic. With its upbeat tempo, catchy melodies, and innovative soundscapes, 40s Swing Electro Fusion offers a fresh, dynamic listening experience that bridges the past and present in a harmonious fusion.

Abstract IDM (Leftfield)

Abstract IDM (Intelligent Dance Music) explores the outer fringes of electronic and dance music, emphasizing unconventional structures, experimental sounds, and complex rhythms. Leftfield, as a term, denotes its position away from the mainstream, presenting innovative textures and sonic landscapes that challenge traditional dance music norms. It’s cerebral and immersive, appealing to listeners who seek depth and innovation in their electronic music experiences.

Educational Jams

Educational Jams are compositions designed to inform and teach, using catchy melodies and rhythms to make learning engaging and memorable. Spanning topics from mathematics to history, these tracks leverage the power of music to enhance retention and make complex subjects accessible and fun. It’s a creative approach to education, proving that learning can be enjoyable and effective through music.

Industrial

Industrial music is a genre that thrives on the avant-garde edge of the sonic spectrum, embodying an intense, gritty aesthetic that draws heavily from the mechanical and the technological. It’s a soundscape built from a fusion of electronic and acoustic sounds, often incorporating the harsh, machine-like noises of industrial machinery, distorted vocals, and unconventional sound production techniques. This genre is not just about the music but also about challenging traditional musical structures and exploring themes of dystopian realities, political dissent, and existential angst. Born out of the late 1970s and early 1980s, industrial music has since evolved, splintering into numerous subgenres, each adding its own unique flavor while maintaining the core ethos of innovation and rebellion. It’s a genre for the explorers, the disillusioned, and those who seek to push the boundaries of what music can convey in the reflection of the modern world’s complexities.

Minimal

Minimal music is characterized by simplicity and repetition, focusing on a limited set of sounds, motifs, and dynamics. It strips away the complex arrangements found in other genres to focus on the essence of sound and rhythm. This genre, found in both electronic and classical music, appeals to those who appreciate the subtle changes and deep focus that minimalistic compositions can evoke.

Parody

Parody songs are comedic or satirical pieces that mimic or spoof other musical works, genres, or artists. This genre leverages humor, irony, and exaggeration to entertain, critique, or pay homage to the original material. Parody can range from light-hearted and playful to sharp and critical, often using clever lyrics and musical mimicry to convey its message. Artists like Weird Al Yankovic exemplify the genre, transforming well-known hits into humorous commentaries on popular culture. Parody songs engage listeners with laughter and insight, showcasing the lighter side of music and its cultural significance.

FOLK, COUNTRY, & ACOUSTIC

Folk and Acoustic music focuses on natural instruments and storytelling. Acoustic music highlights the pure sounds of strings and woodwinds. Folk music is rooted in cultural storytelling traditions, featuring acoustic instruments. Folk Rock merges folk’s lyrical depth with rock’s energy, while Future Folk blends traditional folk with electronic elements for a modern twist.

Acoustic

Acoustic music is characterized by its reliance on instruments that produce sound naturally, without electronic amplification. It spans genres, from folk and classical to pop and rock, highlighting the raw, pure sounds of strings, woodwinds, brass, and percussion. Acoustic music is celebrated for its intimacy, warmth, and the tactile connection it fosters between the musician and their instrument, offering a stripped-back, authentic listening experience.

Country

Country music is the soulful chronicle of American life, especially resonant with the experiences of its heartland. Emerging in the early 20th century, it has roots in folk, Western, and blues genres, telling stories of love, heartbreak, and resilience through a distinctly southern lens. Characterized by its straightforward melodies, strong narrative lyrics, and traditional instruments like guitars, banjos, and fiddles, country music has a heartfelt, authentic quality that connects deeply with its listeners. Over the decades, it has evolved to include various subgenres, from the traditional sounds of bluegrass and honky-tonk to the pop-infused melodies of contemporary country, yet it remains unified by its storytelling spirit and its exploration of life’s trials and triumphs.

Folk

Folk music is the heart’s narrative, a genre deeply rooted in the storytelling traditions of various cultures around the world. Characterized by its simplicity and emotional depth, folk music often centers around the human voice, accompanied by acoustic instruments such as guitars, banjos, and violins. Its themes are universal—love, loss, joy, and the everyday experiences that bind humanity together—rendered in songs that are passed down through generations, evolving with each retelling. Folk music serves as a mirror to the cultural, social, and political landscapes from which it springs, offering a timeless commentary on the human condition.

Folk Rock

Folk Rock merges the acoustic elements and lyrical storytelling of folk music with the electric instrumentation and energy of rock. It retains the emotional depth and cultural commentary of folk while introducing a more dynamic and amplified sound, appealing to fans of both genres.

Future Folk

Future Folk is an innovative genre that marries the storytelling and acoustic warmth of traditional folk music with futuristic electronic elements, creating a bridge between the past and the speculative future. It retains the intimate, narrative-driven essence of folk, often characterized by lyrical storytelling, acoustic instruments, and vocal harmonies, but infuses it with electronic beats, synth textures, and other digital production techniques. This genre speaks to a generation that values both the rich heritage of folk traditions and the possibilities opened by technological advancement, resulting in music that feels both timeless and forward-thinking. Future Folk is an auditory exploration of what it means to be human in a rapidly changing world, blending the organic with the synthetic in a harmonious balance.

HIP-HOP & URBAN

Hip-Hop and Urban music combines rhythmic speech with beats, reflecting cultural commentary. Hip-Hop/Rap, originating in New York City, spans various styles worldwide. Trap blends hip-hop with EDM, known for synthesized drums. Chill Trap offers a relaxed, ambient take, while Glitch Hop merges digital errors with rhythmic grooves. These genres are characterized by innovative beats and cultural relevance, making them powerful for expression and connection.

Chill Trap

Chill Trap combines the bass-heavy, glitchy elements of trap music with a more laid-back, ambient approach. It incorporates smooth synths, ethereal pads, and crisp percussion, creating a relaxed yet rhythmically engaging soundscape. Chill Trap is perfect for those seeking the energy of trap without the intensity, offering a more contemplative take on the genre.

Glitch Hop

Glitch Hop combines the glitchy effects of choppy editing and sound manipulation with the rhythmic grooves of hip-hop, creating an innovative electronic genre. It’s music that plays with digital errors and turntable techniques to produce funky beats and unique soundscapes, appealing to listeners who appreciate both electronic music’s cutting-edge sounds and hip-hop’s rhythmic flow.

Hip-Hop/Rap

Hip-Hop/Rap is a cultural movement and music genre characterized by rhythmic and rhyming speech (“rap”) and a backing beat. Emerging from the urban landscapes of New York City, it has grown to encompass various styles worldwide. Hip-Hop is as much about the message as the music, often reflecting on social issues, personal stories, and cultural commentary.

Trap

Trap music originated in the Southern United States, blending elements of hip-hop, crunk, and EDM. It’s known for its use of synthesized drums, crisp snare rolls, and atmospheric samples. Trap has evolved to include a range of styles, from lyrical and melodic to hard-hitting and aggressive, embodying a diverse and influential sound in the contemporary music landscape.

Trip-Hop

Trip-Hop is a genre that blends elements of hip-hop with electronic music and experimental sounds. Originating in the early 1990s, it often features slow, atmospheric beats, moody melodies, and a blend of both live and electronic instrumentation. The genre is known for its dark, cinematic soundscapes and incorporation of diverse influences, including funk, soul, and jazz. Trip-Hop creates a downtempo, immersive listening experience, often characterized by its hypnotic grooves and introspective lyrics.

ROCK & ALTERNATIVE

Rock and Alternative music blends traditional rock instrumentation with innovative sounds. This group includes Ambient Rock, which combines atmospheric elements with rock, and Cinematic Rock, known for its orchestral arrangements. Electronic Rock fuses electronic beats with rock energy, while Instrumental Rock focuses on pure music without vocals. Progressive Rock and Progressive Metal emphasize complex compositions and technical skills. Punk Rock features raw, aggressive sounds, and Hard Rock intensifies with heavy riffs. Classic Rock encompasses timeless hits from the 60s to the 80s, and Alternative Rock is known for its experimental approach.

Alternative Rock

Alternative Rock emerged as a counterpoint to mainstream rock music, incorporating a diverse array of influences from punk, indie, and post-punk, among others. It’s known for its boundary-pushing sounds, lyrical depth, and embrace of experimentation. Alternative rock bands are often recognized for their independent spirit, rejecting commercial trends in favor of personal expression and artistic integrity.

Ambient Rock

Ambient Rock blends the atmospheric elements of ambient music with the instrumentation and structure of rock. It emphasizes mood and texture over traditional rock dynamics, creating a sound that is both immersive and contemplative. This genre is ideal for those who appreciate the depth of ambient music but enjoy the edge of rock.

Classic Rock

Classic Rock refers to rock music from the 1960s to the 1980s that has stood the test of time, featuring iconic bands and timeless hits. It includes a variety of styles but is unified by its lasting popularity and influence on subsequent generations of musicians.

Electronic Rock

Electronic Rock fuses the synthetic sounds of electronic music with the raw energy of rock. It typically features electric guitars, synthesizers, and electronic beats, creating a hybrid genre that appeals to fans of both electronic and rock music.

Hard Rock

Hard Rock amplifies the intensity and aggression of rock music, incorporating heavy guitar riffs, emphatic rhythms, and powerful vocals. Originating in the 1960s and 70s, it has influenced countless subgenres and captivated fans with its bold sound and dynamic performances. Hard Rock is music that packs a punch, embodying a spirit of rebellion and raw energy.

Rock

Rock music is a broad genre that encompasses a wide range of sounds, from the soft melodies of rock ballads to the hard-hitting riffs of heavy rock. It’s characterized by its use of electric guitars, a strong rhythm section, and powerful vocals. Rock has a rich history of innovation and cultural impact, offering a voice to generations and a platform for musical experimentation.

Progressive Rock

Progressive Rock is known for its complex compositions, intricate musicianship, and experimental approach. It often features long, elaborate tracks that blend rock with elements of classical, jazz, and electronic music, pushing the boundaries of traditional rock structures.

Punk Rock

Punk Rock is characterized by its raw, aggressive sound, fast tempos, and anti-establishment lyrics. Emerging in the 1970s, it focuses on simplicity and directness, often featuring short, powerful songs that convey a rebellious spirit.

METAL & HEAVY MUSIC

Metal and Heavy Music is defined by powerful guitar riffs and vigorous rhythms. Metal encompasses various intense sub-genres. Progressive Metal combines technical prowess with metal’s power, featuring intricate compositions. Nu-Metal blends metal with hip-hop and alternative rock, characterized by heavy riffs and rap-influenced vocals. These genres are known for bold expression and musical intensity.

Nu-Metal

Nu-Metal combines elements of metal with other genres like hip-hop, grunge, and alternative rock, creating a unique blend characterized by its heavy guitar riffs, rap-influenced vocals, and aggressive rhythms. Emerging in the late 1990s, it brought a fresh, innovative approach to the metal genre, appealing to a younger audience and reflecting contemporary musical and cultural trends.

Metal

Metal is a genre of rock music known for its powerful guitar riffs, vigorous rhythms, and dramatic vocal styles. It encompasses a wide range of sub-genres, from classic heavy metal to death metal and beyond, each with its unique intensity and thematic elements. Metal music is not just about the sound; it’s a culture that embraces bold expression and musical prowess.

Progressive Metal

Progressive Metal combines the complexity and virtuosity of progressive rock with the power and aggression of metal. It features intricate compositions, technical instrumentation, and often conceptual themes, appealing to fans who appreciate both musical sophistication and heavy music.

PSYCHEDELIC

Psychedelic music aims to create an altered state of consciousness. Psychedelic Bass blends deep bass with psychedelic effects. Psytrance is known for its high tempo and rhythmic basslines. PsyJourney combines psychedelic music with a narrative structure for a sonic exploration of consciousness. Psychedelic Rock features innovative recording techniques and experimental sounds.

Psychedelic Bass

Psychedelic Bass blends the deep, resonant sounds of bass music with the mind-altering effects of psychedelic electronic music. It creates a hypnotic, immersive experience, characterized by its use of swirling synths, heavy basslines, and trippy effects. This genre is for listeners seeking a deep, sensory experience that transcends traditional musical boundaries.

Psychedelic Rock

Psychedelic Rock is a genre that emerged in the 1960s, characterized by its use of innovative recording techniques, extended instrumental solos, and a focus on creating an altered state of consciousness. It often features distorted guitars, experimental sounds, and lyrical themes that explore the mind, nature, and otherworldly experiences. Influenced by the counterculture movement, Psychedelic Rock aims to evoke a sense of adventure and exploration, pushing the boundaries of traditional rock music.

PsyJourney

PsyJourney music is an immersive genre that combines elements of psychedelic music with a narrative structure, guiding the listener through a sonic exploration of consciousness and perception. It often incorporates evolving soundscapes, ethnic rhythms, and ambient textures, offering a journey that is as much about internal exploration as it is about musical discovery.

Psytrance

Psytrance (Psychedelic Trance) is a sub-genre of trance music known for its high tempo, rhythmic basslines, and the use of synthesizers to create a complex, layered sound. It often incorporates elements of traditional and digital music to evoke a sense of otherworldliness and transcendence. Psytrance is designed to induce a trance-like state, providing a soundtrack for dance and spiritual experiences.

JAZZ, FUNK, & SOUL

Jazz and Funk music is known for its expressive depth and rhythmic complexity. Jazz features improvisational elements and harmonic intricacy, rooted in African American communities. Funk/Soul combines rhythmic basslines with emotive vocals and vibrant harmonies. These genres offer rich musical innovation and cultural expression.

Jazz

Jazz is a complex and evolving genre known for its improvisational elements, syncopated rhythms, and harmonic complexity. It has roots in African American communities and has given birth to numerous sub-genres, from bebop to swing and beyond. Jazz is celebrated for its expressive depth, instrumental virtuosity, and influential contributions to music history.

Funk/Soul

Funk/Soul music is rich with expressive vocals, rhythmic basslines, and a groove that gets listeners moving. Funk brings a complex, syncopated rhythm and heavy bass, while soul adds depth with its emotive vocals and vibrant harmonies. Together, they form a powerful genre that speaks to the heart and the feet, embodying a history of musical innovation and cultural expression.

R&B (Rhythm and Blues)

R&B is a genre that combines elements of jazz, gospel, and blues, known for its emotive vocals, smooth rhythms, and soulful melodies. It has evolved over the years to include a blend of contemporary sounds, maintaining its emphasis on vocal expression and heartfelt lyrics. R&B is music that connects deeply with listeners’ emotions, reflecting experiences of love, heartache, and joy.

WORLD & CULTURAL

World and Cultural music celebrates global musical diversity. Ancient Egyptian Vibes blend traditional motifs with modern compositions. Middle Eastern Vibing incorporates traditional melodies and rhythms with contemporary techniques. Native American/Shamanic music connects with spiritual traditions using natural sounds and instruments. Worldwide music combines global sounds, creating a rich tapestry of cultural expression.

Ancient Egyptian Vibes

Ancient Egyptian Vibes music seeks to recreate the soundscape of a civilization that has fascinated humanity for millennia. This genre draws inspiration from the history, mythology, and instruments of ancient Egypt, blending traditional motifs with modern compositions to evoke the grandeur and mysticism of the Pharaohs’ era. Using flutes, harps, and percussive instruments like the sistrum and darbuka, the music often incorporates the scales and modes that scholars believe were used in ancient times. It’s a musical journey back in time, aiming to capture the essence of the Nile’s banks, majestic pyramids, and the profound spirituality of ancient Egyptian culture, creating an immersive experience of its revered and mysterious past.

Chants

Chants are modern and futuristic forms of musical expression that combine rhythmic beats with spiritual mantras and enlightening lyrics. This genre spans various contexts, focusing on healing, inspiration, and transcendence. These chants incorporate elements of mantras and spiritual songs designed to be sung or spoken along with captivating rhythms. They create a powerful communal experience, connecting participants to their spirituality and each other. The simplicity and repetitive nature of chants make them meditative and transformative, providing a direct channel to emotional and spiritual states.

Drum Circles

Drum Circles music captures the communal and improvisational spirit of group drumming. This genre is not defined by a specific style of music but by the act of creating rhythm collectively, using a variety of percussion instruments. Participants in a drum circle contribute to a shared beat, creating a powerful, rhythmic experience that fosters unity and personal expression. Drum Circles are both a form of social gathering and a spiritual or meditative practice, emphasizing the primal connection humans have to rhythm and each other. It’s an inclusive and dynamic environment where everyone is welcome to join, listen, and contribute to the communal creation of music.

Middle Eastern Vibing

Middle Eastern Vibing Songs embrace the diverse cultural and musical heritage of the Middle East, incorporating traditional melodies, rhythms, and instruments with contemporary production techniques. This genre spans across various styles, including Arabic pop, Persian classical music, and modern electronic influences, creating a unique fusion that is both exotic and accessible. Characterized by intricate rhythms, quarter-tone scales, and emotive vocal styles, Middle Eastern Vibing Songs transport listeners to the heart of the Middle East, offering a rich, immersive experience of its complex beauty and artistic depth.

Native American/Shamanic

Native American/Shamanic music is deeply rooted in the spiritual and cultural traditions of indigenous peoples. It is characterized by its use of natural sounds, traditional instruments like flutes, drums, and rattles, and vocal chanting. This genre is integral to various ceremonies, rituals, and healing practices, aiming to connect with the spiritual world, nature, and the community. Shamanic music, in particular, is used in journeying and meditation, facilitating a deep trance state for spiritual exploration. Both Native American and Shamanic music are powerful mediums that evoke a sense of connection to the earth, ancestors, and the inner self, offering listeners a path to introspection and emotional healing.

 

Reggae

Reggae music originated in Jamaica, characterized by its laid-back rhythm, offbeat accents, and socially conscious lyrics. It’s a genre that speaks to themes of love, struggle, and unity, infused with a distinctive groove that has influenced countless other music styles. Reggae’s relaxed tempo and positive vibes make it universally beloved, embodying a spirit of resistance and resilience.

Ritual Vibes

Ritual Vibes music is crafted to enhance the atmosphere of sacred and ceremonial spaces. It encompasses a wide range of sounds and styles, designed to invoke a sense of reverence, transformation, and connection to the divine. This genre often incorporates elements like chanting, drumming, and the use of specific instruments believed to carry spiritual significance. Ritual Vibes music is used in various spiritual practices, from pagan ceremonies to modern mindfulness retreats, creating an ambient backdrop that supports introspection, celebration, and the performance of rituals. It’s a genre that transcends ordinary experience, aiming to connect participants with deeper spiritual truths and communal bonds.

Worldwide

Worldwide music, or World Music, encompasses a broad spectrum of traditional and contemporary music from across the globe. This genre celebrates the diversity of musical expression, combining sounds, rhythms, and languages from different cultures to create a rich, global tapestry. From African beats and Latin rhythms to Celtic melodies and Asian harmonics, Worldwide music is a cross-cultural journey that highlights the uniqueness and commonalities of human experiences through sound. It’s a genre that fosters understanding and appreciation for the world’s varied cultural heritage, inviting listeners to explore and connect with music beyond their borders.

 
Shopping Cart
  • Your cart is empty.
Scroll to Top